Matthewoos

I’m scared to look at The Great Gatsby tags on any social media website.

63 plays
NPR's All Things Considered - Set The Night On Fire: Behind The Doors' 'Light My Fire'
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nprmusic:

Ray Manzarek, the keyboardist behind The Doors, died Monday from bile duct cancer. He was 74. In a story about the band’s breakout “Light My Fire” on NPR’s All Things Considered, Manzarek says, “Western civilization ends here in California at Venice Beach, so we stood there inventing a new world on psychedelics.”

Damn….R.I.P.

franallen:

culo in nyc

franallen:

culo in nyc

Tried watching the Judge reunion, apparently I have to pay $6 just to watch the stream.

Tried watching the Judge reunion, apparently I have to pay $6 just to watch the stream.

Rhythm 0, 1974 - Marina Abramović

To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her.
Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions.
Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained passive) people began to act more aggressively. As Abramović described it later: “What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”

Rhythm 0, 1974 - Marina Abramović

To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her.

Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions.

Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained passive) people began to act more aggressively. As Abramović described it later: “What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”

A commodity.

xvinylx:

Floorpunch - 2010 - New Jersey (Six Feet Under Records)  SFU041